{"id":3857,"date":"2019-05-09T10:41:50","date_gmt":"2019-05-09T06:11:50","guid":{"rendered":"https:\/\/ashiqlar.com\/%d8%af%d8%b1%d8%a8%d8%a7%d8%b1%d9%87-%d9%85%d8%a7\/"},"modified":"2024-03-14T00:28:14","modified_gmt":"2024-03-13T20:58:14","slug":"hakkimizda","status":"publish","type":"page","link":"https:\/\/ashiqlar.com\/tr\/hakkimizda\/","title":{"rendered":"Hakk\u0131m\u0131zda"},"content":{"rendered":"\t\t
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M\u0130RASIMIZ A\u015eIK-BAH\u015eI SANATI HAKKINDA \u00d6ZET B\u0130LG\u0130<\/strong><\/p>

\u00a0<\/p>

1.B\u00d6L\u00dcM: A\u015eIK SANATI TAR\u0130H\u00c7ES\u0130<\/strong><\/p>

\u00c2\u015f\u0131kl\u0131k Sanat\u0131n\u0131n ge\u00e7mi\u015fi, elimize ula\u015fan resmi bilgilere g\u00f6re, en az 5 bin sene \u00f6ncesine dayanmaktad\u0131r. T\u00fcrk \u00e2\u015f\u0131kl\u0131k gelene\u011fini icra edenler, halk edebiyat\u0131nda ve m\u00fczik sanat\u0131nda; “<\/em>\u00c2\u015f\u0131k”, “Ozan”, “Varsak”, “Yan\u015fak”, “Bah\u015fi”, “Halife”, “Jirao<\/em>“, “Ko\u015fuk\u00e7u”<\/em> gibi isimler alm\u0131\u015flar ve \u00e7e\u015fitli \u00fclkelerde bu isimlerle an\u0131lmaktad\u0131rlar. Binlerce y\u0131l \u00f6ncesine dayanan bu eskimeyen gelenekten, \u00e7al\u0131\u015fmam\u0131zda k\u0131saca \u201c\u00c2\u015f\u0131k Sanat\u0131\u201d<\/em> olarak bahsedilmektedir.<\/p>

Halk\u0131n s\u00f6zl\u00fc edebiyat\u0131nda ve k\u00fclt\u00fcr\u00fcnde y\u00fcksek bir yere sahip olan \u00c2\u015f\u0131k Sanat\u0131n\u0131n \u00f6zel bir maneviyat\u0131 vard\u0131r. Ba\u015fka bir deyi\u015fle, \u00c2\u015f\u0131k Sanat\u0131; \u015fiir, destan anlat\u0131m\u0131, t\u00fcrk\u00fc ve deyi\u015f s\u00f6yleme, oyunculuk, sava\u015flara zihinsel haz\u0131rl\u0131k ve hiciv gibi bir\u00e7ok \u00f6nemli sanat\u0131n kapsaml\u0131 bir \u00f6rne\u011fidir. \u00c2\u015f\u0131k Sanat\u0131n\u0131 icra etme ve \u00fcretme yetene\u011fine sahip olanlar, T\u00fcrklerdir.<\/em><\/p>

\u00c2\u015f\u0131klar; do\u011fadan, inan\u00e7lardan ve kahramanlardan ilham alarak, \u00f6zg\u00fcn melodileriyle a\u015fk ve destans\u0131 hik\u00e2yeler s\u00f6yleyen yerli sosyologlard\u0131r.<\/em><\/p>

\u00c2\u015f\u0131klar, genellikle do\u011fa\u00e7lama konusunda yetenekli ve bazen kendi \u015fiirlerinin ve eserlerinin yarat\u0131c\u0131lar\u0131d\u0131rlar. Bazen bir toplant\u0131, bazen do\u011fum g\u00fcn\u00fc ve d\u00fc\u011f\u00fcnlerde, bazen k\u0131raathanelerde, bazen cenazelerde, bazen de resmi etkinliklerde veya ulusal kutlamalarda sanatlar\u0131n\u0131 icra ederler. \u00c2\u015f\u0131klar g\u00fczellikleri \u00f6vd\u00fc\u011f\u00fc ve ac\u0131lar\u0131 dramatik bir dille vurgulad\u0131\u011f\u0131 kendi deyi\u015flerini; m\u00fczik, edebiyat ve \u015fiirlerle harmanlayarak, saz e\u015fli\u011finde icra ederler.<\/p>

Bu e\u015fsiz sanat\u0131n ortaya \u00e7\u0131kt\u0131\u011f\u0131 ilk g\u00fcnden bu yana, en az 5 bin y\u0131l \u00f6ncesinden bug\u00fcne kadar, \u00e2<\/em>\u015f\u0131k edebiyat\u0131n\u0131n ve m\u00fczi\u011finin ezeli ve ebedi misyonu<\/em>; T\u00fcrklerin d\u00fc\u015f\u00fcncesi ve bilgeli\u011fi, ruhu ve maneviyat\u0131, dili, tarihi olup, k\u00fclt\u00fcrel kimliklerini korumak, halk de\u011ferlerini tan\u0131tmak ve ya\u015fatmakt\u0131r. <\/strong><\/p>

\u00c2\u015f\u0131k Sanat\u0131 hem sanatsal hem felsefi hem de entelekt\u00fcel a\u00e7\u0131dan kendine has \u00f6zellikleri nedeniyle T\u00fcrklerin ya\u015fad\u0131\u011f\u0131 \u0130ran, T\u00fcrkiye, Azerbaycan, Erivan Hanl\u0131\u011f\u0131, G\u00fcrcistan (Bor\u00e7al\u0131), Da\u011f\u0131stan-Derbent (Rusya), \u00d6zbekistan, T\u00fcrkmenistan, K\u0131rg\u0131zistan, Kazakistan, Rusya (Kazan ve K\u0131r\u0131m T\u00fcrkleri) Afganistan, Irak, \u00c7in (Uygurlar)\u2019in yan\u0131 s\u0131ra; Do\u011fu Avrupa\u2019da, Bulgaristan, Macaristan, Arnavutluk, Makedonya ve Bosna Hersek\u2019te yay\u0131lm\u0131\u015ft\u0131r.<\/p>

\u00c2\u015f\u0131k Sanat\u0131n\u0131n tarihine gelince, bu sanata ait yeralt\u0131 heykelcikleri bulunmaktad\u0131r. Bu kil tabletler Elam ve S\u00fcmer Uygarl\u0131klar\u0131na aittir. \u00c7o\u011fu, \u0130ran`\u0131n \u015eu\u015f b\u00f6lgesinde ve Mezopotamya’da (F\u0131rat ile Nil aras\u0131) ke\u015ffedilmi\u015ftir. Bu kil tabletlerin bir\u00e7o\u011fu Paris\u2019te Louvre M\u00fczesi\u2019nde ve \u0130ran\u2019\u0131n \u015eu\u015f \u015fehrindeki Haft Tepe M\u00fczesi\u2019nde korunmaktad\u0131r. Bu da sanat\u0131n en az 5 bin y\u0131la dayand\u0131\u011f\u0131n\u0131 g\u00f6stermektedir. Yeni bulunan bilgilere g\u00f6re belki de \u00c2<\/em>\u015f\u0131k Sanat\u0131n\u0131n ge\u00e7mi\u015fi 12 bin y\u0131la dayanacakt\u0131r.<\/em><\/p>

\u0130ran, T\u00fcrkiye, Azerbaycan, Erivan Hanl\u0131\u011f\u0131, G\u00fcrcistan (Bor\u00e7al\u0131), \u00d6zbekistan, Afganistan, Irak (Kerk\u00fck- Telafer), T\u00fcrkmenistan, K\u0131rg\u0131zistan, Kazakistan ve \u00c7in (Uygurlar)\u2019de bulunan \u00e2\u015f\u0131k muhitleri hakk\u0131nda bilgiler mevcut olsa da Rusya (Kazan ve K\u0131r\u0131m T\u00fcrkleri) ve bahsedilen di\u011fer \u00fclkelerin \u00e2\u015f\u0131k muhitleri hakk\u0131nda elimizde bilgi yoktur.<\/p>

\u00c2\u015f\u0131k Sanat\u0131n\u0131n k\u00f6kleri kadimdir. Bu sanat halk hikayelerinden kendine has \u00f6zellikleriyle destanlar yaratm\u0131\u015f, hatta bask\u0131, zul\u00fcm ve e\u015fitsizli\u011fe kar\u015f\u0131 m\u00fccadele ederek tarihteki yerini alm\u0131\u015ft\u0131r.<\/p>

\u00c2\u015f\u0131k edebiyat\u0131 ve m\u00fczi\u011fi; her zaman h\u00fcmanizmin, hak aray\u0131\u015f\u0131n\u0131n, reformun ve insan\u0131n entelekt\u00fcel etkile\u015fiminin ger\u00e7ekle\u015ftirilmesinde \u0131srar eden bir milletin, tarihi ve k\u00fclt\u00fcrel deneyiminin \u00fcr\u00fcn\u00fcd\u00fcr. \u00c2\u015f\u0131k edebiyat\u0131, destan ve hikayelerden olu\u015fur. Bu konuda y\u00fczden fazla destan bize ula\u015fm\u0131\u015ft\u0131r ve elimizde mevcuttur.<\/p>

\u00c2\u015f\u0131klar temel olarak iki gruba ayr\u0131l\u0131r:<\/p>

1- Usta ve Yarat\u0131c\u0131 \u00c2\u015f\u0131klar:<\/strong> Bu grubun; hik\u00e2ye anlatma, hava yaratma, t\u00fcrk\u00fc s\u00f6yleme, \u015fiir yazma, ileri sanat (sahne y\u00f6netimi) gibi yetenekleri vard\u0131r. \u00c2\u015f\u0131klar Sanat\u0131n\u0131n t\u00fcm bilgi ve becerilerine sahiptirler. Bu t\u00fcr yarat\u0131c\u0131 \u00e2\u015f\u0131klar\u0131n say\u0131s\u0131 \u00e7ok fazla de\u011fildir.<\/p>

2- \u0130crac\u0131 \u00c2\u015f\u0131klar:<\/strong> Bu \u00e2\u015f\u0131klar grubu; yarat\u0131c\u0131 \u00e2\u015f\u0131klar\u0131n eserlerini icra eden ki\u015filerdir ve kendilerine ait herhangi bir eserleri yoktur.<\/p>

\u00c2\u015f\u0131k deyince akl\u0131m\u0131za gelen b\u00fcy\u00fck ozan ve \u00e2\u015f\u0131klardan biri de T\u00fcrk d\u00fcnyas\u0131n\u0131n ortak de\u011feri Dede Korkut<\/em> ve kahraman\u0131 K\u00f6ro\u011flu<\/em>\u2019dur. Y\u00fczlerce y\u0131l \u00f6ncesinden gelen, \u00e2\u015f\u0131klar\u0131n besteledi\u011fi binlerce havalar g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015f ve bu havalar her b\u00f6lgenin \u00e2\u015f\u0131klar\u0131 taraf\u0131ndan kopuz, \u00e7\u00f6\u011f\u00fcr, d\u00fctar, tambura, saz, ba\u011flama gibi \u00f6zel m\u00fczik aletleriyle seslendirilmektedir. Bazen de bu havalar sazla birlikte ba\u015fka m\u00fczik aletleri e\u015fli\u011finde icra edilir.<\/p>

\u00c2\u015f\u0131k Sanat\u0131na, k\u00fclt\u00fcr ve edebiyat\u0131na b\u00fcy\u00fck de\u011fer veren Ali Polat\u2019\u0131n g\u00f6r\u00fc\u015f\u00fcne g\u00f6re; \u00c2\u015f\u0131k saz\u0131, gopuz vb. a\u015f\u0131klara ait di\u011fer \u00e7alg\u0131 aletleri d\u00fcnyadaki t\u00fcm m\u00fcziklerin anas\u0131d\u0131r.<\/em><\/strong> O, bu kadim k\u00fclt\u00fcrel miras\u0131 korumak i\u00e7in on y\u0131l \u00f6nce ba\u015flatt\u0131\u011f\u0131 faaliyetlerine son d\u00f6rt y\u0131ld\u0131r aral\u0131ks\u0131z devam etmektedir<\/em><\/strong>. O; T\u00fcrkiye, \u0130ran, Azerbaycan, G\u00fcrcistan, Rusya-Derbent \u00fclkelerinin \u00e2\u015f\u0131k muhitlerinde \u00e7e\u015fitli ihtisas ekipleri olu\u015fturmu\u015f, onlar\u0131 y\u00f6neterek a\u015fa\u011f\u0131daki \u00e7al\u0131\u015fmalar\u0131, kendi imkanlar\u0131 ile tamamlamay\u0131 ba\u015farm\u0131\u015ft\u0131r. Ancak faaliyet g\u00f6sterdi\u011fi bu \u00fclkelerden \u00d6zbekistan\u2019daki \u00e7al\u0131\u015fmalar\u0131 hen\u00fcz sonu\u00e7lanmam\u0131\u015ft\u0131r ve \u00f6zenle buradaki ara\u015ft\u0131rmalar devam etmektedir.<\/p>

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2.B\u00d6L\u00dcM: AL\u0130 POLAT\u2019IN A\u015eIK SANATI \u0130\u00c7\u0130N YAPTI\u011eI \u00c7ALI\u015eMALAR<\/strong><\/p>

Ali Polat`\u0131n y\u00fcr\u00fctt\u00fc\u011f\u00fc ara\u015ft\u0131rmalarda \u00e2\u015f\u0131klar\u0131n \u00e7o\u011funlu\u011funun bulundu\u011fu b\u00f6lgelerin yani muhitlerin isimleri ekte yer almaktad\u0131r:<\/p>

\u00a0 *\u0130ran \u00e2\u015f\u0131k muhitleri \u015funlar\u0131 i\u00e7erir:<\/em><\/strong> 1-<\/strong> Tebriz- Karada\u011f 2- <\/strong>Urmiye 3-<\/strong> Karapapak- Sulduz 4-<\/strong> He\u015fteri- Mara\u011fa 5-<\/strong> Zencan 6-<\/strong>Herhal Tarum 7-<\/strong> \u015eahseven- Zencan 8-<\/strong> Hemedan- Erak 9-<\/strong> Kum- Save 10-<\/strong> G\u00fcney T\u00fcrkler- Ka\u015fkay (Huzistan Eyaletleri- Fars Eyaleti- \u00c7ahar Mahal Bahtiyari) 11-<\/strong> Kuzey Horasan-G\u00fcrgan 12-<\/strong> G\u00fcney Horasan.<\/p>

*Azerbaycan Cumhuriyeti \u00e2\u015f\u0131k muhitleri \u015funlar\u0131 i\u00e7erir:<\/em><\/strong> 1-<\/strong> Gencebasar 2-<\/strong> Derelez 3-<\/strong> Nahcivan 4-<\/strong> Karaba\u011f 5-<\/strong> \u015eirvan 6-<\/strong> G\u00f6y\u00e7e.<\/p>

* G\u00fcrcistan \u00e2\u015f\u0131k muhiti \u015funlar\u0131 i\u00e7erir:<\/em><\/strong> 1-<\/strong> Bor\u00e7al\u0131.<\/p>

* T\u00fcrkmenistan \u00e2\u015f\u0131k muhiti \u015funlar\u0131 i\u00e7erir:<\/em><\/strong> 1-<\/strong> Merv (yani Mary) 2-<\/strong> A\u015fkabat.<\/p>

* Da\u011f\u0131stan \u00e2\u015f\u0131k muhiti \u015funlar\u0131 i\u00e7erir:<\/em><\/strong> 1-<\/strong> Derbent.<\/p>

*T\u00fcrkiye Cumhuriyeti \u00e2\u015f\u0131k muhiti \u015funlar\u0131 i\u00e7erir:<\/em><\/strong> 1-<\/strong> Kars \u2013 Ardahan (Terekeme, Azerbaycanl\u0131, Yerli) 2-<\/strong> Erzurum 3-<\/strong> Van- Erci\u015f- Ahlat 4-<\/strong> A\u011fr\u0131 (Karak\u00f6se) 5-<\/strong> Artvin 6-<\/strong> Erzincan 7-<\/strong> G\u00fcm\u00fc\u015fhane 8-<\/strong> Sivas 9-<\/strong> \u00c7orum 10-<\/strong> Kayseri 11-<\/strong> Malatya 12-<\/strong> K\u0131r\u015fehir 13-<\/strong> Konya 14-<\/strong> Denizli 15-<\/strong> Ankara 16<\/strong>– Kahramanmara\u015f- Ad\u0131yaman- Hatay 17-<\/strong> Gaziantep 18-<\/strong> \u015eanl\u0131urfa \u2013 Diyarbak\u0131r 19-<\/strong> Tunceli (yani Dersim) 20-<\/strong> Yozgat 21-<\/strong> Tokat 22- <\/strong>Adana- \u00c7ukurova- Osmaniye 23-<\/strong> Amasya 24-<\/strong> Giresun.<\/p>

  • Yukar\u0131da bahsedilen 46 \u00e2\u015f\u0131k muhitinde, \u00c2<\/strong>\u015f\u0131k Sanat\u0131 <\/strong>ile ilgili \u00e7al\u0131\u015fmalar ekte yer almaktad\u0131r;<\/strong><\/li>
  • “Telli Saz”<\/em> ba\u015fl\u0131kl\u0131 yakla\u015f\u0131k 4 saatlik 30 \u00e2\u015f\u0131k m\u00fczi\u011fi i\u00e7eren 3 alb\u00fcm<\/em> (2012 y\u0131l\u0131nda tamamland\u0131);<\/li>
  • Yakla\u015f\u0131k 2 cilt halinde 3000 tirajla yay\u0131mlanan “\u00c2\u015f\u0131k Ansiklopedisi” <\/em>(\u0130ran T\u00fcrklerinin d\u0131\u015f\u0131ndaki halklar\u0131 a\u015f\u0131klar hakk\u0131nda bilgilendirmek i\u00e7in Fars\u00e7a yay\u0131mlanm\u0131\u015ft\u0131r);<\/em><\/li>
  • \u00c2\u015f\u0131k havalar\u0131n\u0131n zamanla yok olmas\u0131 tehlikesini g\u00f6z \u00f6n\u00fcnde bulunduran Ali Polat taraf\u0131ndan; 46 \u00e2\u015f\u0131k muhitinin, 1200 \u00e2\u015f\u0131k havas\u0131n\u0131n kayda al\u0131nmas\u0131. <\/em>Bunlar\u0131n %90\u2019n\u0131 st\u00fcdyoda kayda al\u0131nm\u0131\u015ft\u0131r. Kalan %10\u2019u ise di\u011fer \u00e2\u015f\u0131klar\u0131n eserlerinden derlenmi\u015ftir. Toplam 6600 dakikadan fazla olan bu havalar\u0131n giri\u015f k\u0131sm\u0131nda \u00e2\u015f\u0131k muhitleri, havan\u0131n icrac\u0131s\u0131, s\u00f6zleri ve tarih\u00e7esi hakk\u0131nda bilgiler verilmi\u015ftir. Bilgiler Azerbaycan T\u00fcrk\u00e7esi, T\u00fcrkiye T\u00fcrk\u00e7esi ve Fars\u00e7a\u2019 <\/em>da detayl\u0131 bir \u015fekilde anlat\u0131lm\u0131\u015ft\u0131r. Her bir havan\u0131n haz\u0131rlanmas\u0131 ortalama 7 saatten fazla s\u00fcrm\u00fc\u015f ve toplamda 17.000 saat st\u00fcdyoda zaman alm\u0131\u015ft\u0131r. Bu da 3-5 dakikal\u0131k bir eserin olu\u015fumu i\u00e7in en az 7 saat emek sarf edildi\u011finin g\u00f6stergesidir.<\/li>
  • \u00c2\u015f\u0131k havalar\u0131n\u0131n genellikle notalar\u0131 bulunmad\u0131\u011f\u0131 i\u00e7in bu havalar\u0131n bir k\u0131sm\u0131n\u0131n notaya d\u00f6k\u00fclmesi ger\u00e7ekle\u015ftirilmi\u015ftir. 141 \u00e2\u015f\u0131k havas\u0131n\u0131n<\/em> Cengiz Mehdipur ve \u00dcstat Ali Hudadad taraf\u0131ndan notalara d\u00f6k\u00fclmesi sa\u011flanm\u0131\u015f, kitap bi\u00e7iminde yay\u0131mlanm\u0131\u015f ve ilgili kurumlara da\u011f\u0131t\u0131lmaktad\u0131r.<\/em> Toplanm\u0131\u015f notalar, yayg\u0131n havalar olmay\u0131p, genellikle unutulmu\u015f olanlard\u0131r.<\/li><\/ul>

    ***<\/strong>Notalar\u0131n t\u00fcm\u00fcn\u00fcn devam edilmesi i\u00e7in ilgili ki\u015filerin ve \u00e7e\u015fitli kurumlar\u0131n desteklerini bekleriz.<\/p>

    • Son 600 y\u0131ldan g\u00fcn\u00fcm\u00fcze kadar ya\u015fam\u0131\u015f, \u0130ran T\u00fcrklerinin muhtelif boylar\u0131n\u0131n \u00fcnl\u00fc Dede ve \u00fcstat \u00e2\u015f\u0131klar\u0131n \u015fiirlerinin bir araya gelmesiyle 180 par\u00e7adan olu\u015fan 14 CD \u00e7al\u0131\u015fmas\u0131n\u0131n haz\u0131rlanmas\u0131.<\/em><\/li><\/ul>

      *Ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze Dede <\/strong>\u00c2<\/strong>\u015f\u0131klar \u015funlard\u0131r:<\/strong> 1-<\/strong> \u015eah \u0130smail (yani Hatai) 2-<\/strong> Kurbani 3-<\/strong> Abbas Tufarqanl\u0131 4-<\/strong> Merendli Allah\u0131 5-<\/strong> \u00c2\u015f\u0131k Garip 6-<\/strong> Hasta Gas\u0131m 7-<\/strong> Mahtumkulu Fera\u011f\u0131 8-<\/strong> Dollu Mustafa 9-<\/strong> Mezun Ka\u015fkai 10-<\/strong> Telim Han 11-<\/strong> \u00c2\u015f\u0131k Al\u0131 (\u00c2\u015f\u0131k Alesger’in ustas\u0131) 12-<\/strong> \u00c2\u015f\u0131k Alesger 13-<\/strong> Ulya Kulu Yeg\u00e2ne ve 14-<\/strong> H\u00fcseyin Cevan.<\/p>

      Bu dede \u00e2\u015f\u0131klar\u0131n eserleri her g\u00fcn \u00e7e\u015fitli \u00fclkelerde, farkl\u0131 ozanlar taraf\u0131ndan okunmaktad\u0131r, fakat \u00e2\u015f\u0131klar bu eserleri sadece kendi isimleriyle seslendirmekteler.\u00a0 Bu Dede \u00e2\u015f\u0131klar\u0131n eserlerinin, bir arada toplu halde oldu\u011fu alb\u00fcm\u00fc, g\u00fcn\u00fcm\u00fcze kadar hi\u00e7 yap\u0131lmam\u0131\u015ft\u0131r. Bu <\/em>\u00e2<\/em>\u015f\u0131klar\u0131n kendi isimleriyle alb\u00fcmlerini \u00e7\u0131karan ilk ki\u015fi Ali Polat\u2019t\u0131r.<\/em><\/p>

      • Ayr\u0131ca \u0130ran T\u00fcrkleri i\u00e7in Tebriz- Erdebil- Miyana- Keleyber- Kend\u00fcvan \u2013 Miyandab (Go\u015f\u015fa \u00c7ay)- Zencan- Kazvin- Hemedan- Arak- Talhab- \u0130sfahan- Borucen d\u00e2hil olmak \u00fczere; 2021 senesinde \u015eiraz- Sircan- Deregez- G\u00fcnbet-i Kavus b\u00f6lgeleriyle beraber, buralarda bulunan \u00e2\u015f\u0131klar muhitinden 19 klibin haz\u0131rlanmas\u0131; <\/em><\/li><\/ul>

        ***<\/em><\/strong> \u0130ran\u2019da 72 T\u00fcrk alt boylar\u0131 ya\u015famaktad\u0131r. G\u00fcn\u00fcm\u00fcz \u0130ran\u2019\u0131nda kendi etnik adland\u0131rmalar\u0131 ile \u00fc\u00e7 de\u011fi\u015fik T\u00fcrk grubu bulunmaktad\u0131r. Bunlar:<\/strong> 1.<\/strong> T\u00fcrk ad\u0131n\u0131 kullananlar (Azerbaycan, Horasan b\u00f6lgesi: Ka\u015fkaylar ve di\u011ferleri). 2.<\/strong> T\u00fcrkmen ad\u0131n\u0131 kullananlar (T\u00fcrkmenler). 3.<\/strong> Hala\u00e7 T\u00fcrkleri ad\u0131n\u0131 kullananlar (En eski T\u00fcrkler).\u00a0 <\/em><\/p>

        ***Bilinmesini isteriz ki en \u00e7ok \u00e2\u015f\u0131klar \u0130ran T\u00fcrklerindendir.<\/strong> \u0130ran\u2019da en az 3 bine yak\u0131n ozan ve \u00e2\u015f\u0131k grubu faaliyet g\u00f6stermektedir. Her grup 3 ila 12 ki\u015fiden olu\u015fmaktad\u0131r. Sadece baz\u0131 b\u00f6lgelerde tekli saz ve ozan vard\u0131r.<\/em><\/p>

        Hemedan T\u00fcrklerinin oldu\u011fu b\u00f6lgede; Haziran 1037\u2019de 56-57 ya\u015flar\u0131ndayken vefat eden, b\u00fcy\u00fck bilim adam\u0131 \u0130bn-i Sina\u2019n\u0131n kabri vard\u0131r.<\/em><\/p>

        • Fransa Louvre M\u00fczesi\u2019nde yer alan \u00e2\u015f\u0131klar\u0131n heykellerini i\u00e7eren afi\u015f ve posterlerin, be\u015f dilde ve be\u015f boyutta haz\u0131rlanmas\u0131 ve bu \u00fclkelerde ilgili yerlere da\u011f\u0131t\u0131lmas\u0131;<\/em><\/li>
        • \u0130ran\u2019da bulunan en az 1000<\/em> \u00e2\u015f\u0131\u011fa milli giyim haz\u0131rlanmas\u0131 ve giydirilmesi;<\/em><\/li>
        • \u00dcstat ve icrac\u0131 \u00e2\u015f\u0131klar i\u00e7in iki farkl\u0131 desende, y\u00f6resel giyim haz\u0131rlanmas\u0131;<\/em><\/li>
        • Modern ve geometrik \u00e7izgilerden olu\u015fan 80 adet \u00e2\u015f\u0131k heykeli<\/em> (50 cm) yap\u0131lmas\u0131;<\/em><\/li>
        • 140 adet iki \u00e2\u015f\u0131\u011f\u0131n de\u011fi\u015fme ve at\u0131\u015fma durumunu anlatan heykelin yap\u0131lmas\u0131;<\/em><\/li>
        • 600 y\u0131l \u00f6ncesinden g\u00fcn\u00fcm\u00fcze kadar 14 Dede \u00e2\u015f\u0131k b\u00fcst\u00fcn\u00fcn toplu \u015fekilde bir arada haz\u0131rlanmas\u0131;<\/em><\/li>
        • 8 adet \u00e2\u015f\u0131k saz\u0131n\u0131n; <\/em>\u0130ran T\u00fcrklerinin ya\u015fad\u0131\u011f\u0131 b\u00f6lgelerde <\/em>saz ve kopuzun unutuldu\u011fu muhitlere hediye edilmesi;<\/em><\/li>
        • \u00c2\u015f\u0131klar i\u00e7in \u00f6zel haz\u0131rlanm\u0131\u015f 3500 rozetin hediye edilmesi devam etmektedir;<\/em><\/li>
        • 5 kitaptan olu\u015fan, 3000 \u00e2\u015f\u0131\u011f\u0131n biyografisinin bulundu\u011fu, 2500 sayfal\u0131k b\u00fcy\u00fck ve kapsaml\u0131 “T\u00fcrk D\u00fcnyas\u0131<\/em> <\/strong>\u00c2<\/em><\/strong>\u015f\u0131k Ansiklopedisi”<\/em><\/strong> \u00e7al\u0131\u015fmas\u0131 yap\u0131lmaktad\u0131r. Bu ansiklopedinin olu\u015fumu i\u00e7in Azerbaycan, T\u00fcrkiye, \u0130ran, \u00d6zbekistan, Kazakistan, K\u0131rg\u0131z\u0131stan ve G\u00fcrcistan\u2019dan toplam 36 bilim insan\u0131<\/em><\/strong> \u00e7al\u0131\u015fmaktad\u0131r.\u00a0 Ansiklopedinin, 2024 y\u0131l\u0131n\u0131n a\u011fustos ay\u0131nda yay\u0131nlanmas\u0131 hedeflenmektedir.<\/li><\/ul>

          \u00a0<\/p>

          S\u00f6z konusu \u00e2\u015f\u0131k b\u00f6lgelerine ek olarak, \u00c2\u015f\u0131k Sanat\u0131 alan\u0131nda 2024 y\u0131l\u0131nda \u00e2\u015f\u0131k muhitlerinin bulundu\u011fu Kazakistan ve Irak\u2019ta (Kerk\u00fck (Telafar) \u00e7al\u0131\u015fmalar ba\u015flayacakt\u0131r.<\/p>

          Ali Polat toplamda bug\u00fcne kadar 46 \u00e2\u015f\u0131k muhitinde<\/em><\/strong> \u00e7al\u0131\u015fmalar\u0131n\u0131 tamamlam\u0131\u015ft\u0131r. Ayr\u0131ca \u00d6zbekistan\u2019da gerekli ara\u015ft\u0131rmalar yapm\u0131\u015ft\u0131r ve bu \u00d6zbekistan \u00e2\u015f\u0131k havalar\u0131n\u0131n kayda al\u0131nmas\u0131 a\u015famas\u0131ndad\u0131r. Bahsi ge\u00e7en t\u00fcm \u00e7al\u0131\u015fmalar\u0131n T\u00fcrkiye ve Azerbaycan T\u00fcrk\u00e7esinde ve Fars\u00e7a olmak \u00fczere, 3 dilde ses dosyas\u0131 halinde kaydedildi\u011fini de belirtmek gerekir. Uluslararas\u0131 \u00e7evrelerin dikkatini \u00e7ekmek i\u00e7in 46 \u00e2\u015f\u0131k muhitinin bilgileri \u0130ngilizce de yap\u0131lm\u0131\u015ft\u0131r.<\/p>

          Onun \u00e7abalar\u0131 sayesinde Beethoven ve Mozart’\u0131n eserleri ve di\u011fer t\u00fcm klasik eserler, Tebriz’de gen\u00e7 \u00e2\u015f\u0131klar taraf\u0131ndan seslendirilmektedir ve k\u00fclt\u00fcr, sanat, m\u00fczik \u00e7evrelerinde be\u011feniyle kar\u015f\u0131lanmaktad\u0131r. Bu faaliyetler devam etmektedir.<\/p>

          Yapm\u0131\u015f oldu\u011fu bu \u00e7al\u0131\u015fmalar\u0131ndan dolay\u0131, \u00c2\u015f\u0131k Sanat\u0131nda bulunan ki\u015filer, Ali Polat\u2019a \u201cDede Polat<\/em><\/strong>\u201d<\/em> unvan\u0131n\u0131 vermi\u015flerdir.<\/p>

          \u00a0<\/p>

          \u00a0<\/p>

          \u00a0<\/p>

          3.B\u00d6L\u00dcM: AL\u0130 POLAT\u2019IN D\u0130LE\u011e\u0130<\/strong><\/p>

          Ali Polat’\u0131n bu sanat\u0131n ya\u015fat\u0131lmas\u0131 ve gelecek nesle do\u011fru aktar\u0131lmas\u0131 i\u00e7in; a\u015f\u0131k muhitlerinin bulundu\u011fu \u00fclkelerin bilim ve k\u00fclt\u00fcr yetkililerinden<\/em><\/strong> ricas\u0131 ve temennisi \u015f\u00f6yledir:<\/p>

          Hat\u0131rlanaca\u011f\u0131 \u00fczere, son y\u0131llarda farkl\u0131 ulusal s\u0131n\u0131rlar i\u00e7erisinde k\u00f6ylerle beraber \u015fehir merkezlerinde de icra edilmeye ba\u015flayan \u00c2\u015f\u0131k Sanat\u0131na, yeni bir tarz ve farkl\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131 getirilmi\u015ftir. \u00c2\u015f\u0131k saz\u0131 di\u011fer milli \u00e7alg\u0131larla birlikte icra edilmeye ba\u015flanm\u0131\u015ft\u0131r.\u00a0 Fakat yap\u0131lan bu yeniliklerin sanat\u0131n hak etti\u011fi kadar tan\u0131t\u0131lmas\u0131nda yeterli olmamas\u0131n\u0131n sebebi, ozanlara maddi ve manevi olarak destek verilmemesidir.<\/strong> Ayr\u0131ca ozanlar yapt\u0131klar\u0131 bu sanatla ailelerini maddi olarak ge\u00e7indirmekte zorluk \u00e7ekmektedirler. Hem \u00e2\u015f\u0131klar\u0131n maddi ya\u015famlar\u0131n\u0131n daha iyi hala gelmesi hem de bu sanat\u0131n farkl\u0131 ulusal ve uluslararas\u0131 arenalarda tan\u0131t\u0131lmas\u0131 i\u00e7in \u00e2\u015f\u0131klara imkanlar tan\u0131nmas\u0131 gereklidir. Buradan anla\u015f\u0131lmaktad\u0131r ki, \u00c2\u015f\u0131k Sanat\u0131n\u0131n zenginli\u011fi, di\u011fer m\u00fczik tarzlar\u0131yla k\u0131yaslanamaz ve her zaman asil bir sanat olarak sunulmu\u015f ve sunulacakt\u0131r. Bilim ve k\u00fclt\u00fcr\u00fcn sayg\u0131n yetkililerine hat\u0131rlatmak gerekir ki \u00f6nemine, birikimine ve ge\u00e7mi\u015fine ra\u011fmen \u00c2\u015f\u0131k Sanat\u0131, d\u00fcnya \u00e7ap\u0131nda e\u015fsiz sanat eserleri yaratmay\u0131 ne yaz\u0131k ki g\u00fcn\u00fcm\u00fczde hen\u00fcz ba\u015faramam\u0131\u015f gibi g\u00f6r\u00fcn\u00fcyor. Bu sanat\u0131n ya\u015fat\u0131lmas\u0131 ve d\u00fcnya d\u00fczeyine \u00e7\u0131kar\u0131lmas\u0131 i\u00e7in en \u00f6nemli hareket<\/strong>, e\u011fitim kurumlar\u0131nda bu sanata y\u00f6nelik dersliklerin bulundurulmas\u0131 olacakt\u0131r. <\/em>Her \u00e2\u015f\u0131k \u00e7ald\u0131\u011f\u0131 havalar\u0131n notas\u0131n\u0131 ve bu sanat\u0131n teorisini \u00f6\u011frenmelidir. Bu eksiklik tamamlan\u0131rsa, \u00e2\u015f\u0131klar\u0131m\u0131z d\u00fcnyan\u0131n b\u00fcy\u00fck sahnelerinde, orkestralarda, saz enstr\u00fcman\u0131n\u0131 solo \u00e7alg\u0131 olarak sunarsa; kesinlikle s\u00f6yleyebilirim ki, o \u00fclkelerin insanlar\u0131 kendi \u00fclkelerindeki m\u00fczik okul ve konservatuvarlar\u0131nda e\u011fitimi verilen di\u011fer m\u00fczik aletleri gibi, bu \u00e2\u015f\u0131k enstr\u00fcmanlar\u0131n\u0131n e\u011fitiminin verilmesi talebinde de bulunacaklard\u0131r.<\/p>

          Ayr\u0131ca en az 5000 y\u0131ll\u0131k tarihi ge\u00e7mi\u015fi olan bu \u00c2\u015f\u0131k Sanat\u0131 hakk\u0131nda literat\u00fcrde sadece son 600 y\u0131ll\u0131k bilgi ve verilere ula\u015f\u0131lm\u0131\u015ft\u0131r. Bu sebepten gen\u00e7 ara\u015ft\u0131rmac\u0131lara \u00f6nerim, bu sanat\u0131n 600 y\u0131l \u00f6ncesinden, ge\u00e7mi\u015f 5000 seneye kadar olan kaynaklar\u0131na ula\u015f\u0131lmas\u0131na \u00f6zen g\u00f6stermeleridir. <\/strong>\u00c7\u00fcnk\u00fc yap\u0131lan bu \u00e7al\u0131\u015fmalar m\u00fczik tarihine \u00f6nemli katk\u0131da bulunacakt\u0131r.\u00a0<\/p>

          \u00c2\u015f\u0131k Sanat\u0131na dair mevcut bulunan e\u011fitim kurumlar\u0131nda, bu sanata ili\u015fkin al\u0131nmas\u0131 \u00f6nerilen dersler ekte sunulmu\u015ftur:<\/p>

          • \u00c2\u015f\u0131k Edebiyat\u0131: \u015fiirler, destanlar vb… 2-<\/strong> \u00c2\u015f\u0131k tarz\u0131 s\u00f6yleme 3-<\/strong> \u00c2\u015f\u0131k saz\u0131 \u00e7alma tarz\u0131 4-<\/strong> Kopuz \u00e7alma 5-<\/strong> Balaban \u00e7alma 6-<\/strong> Ritim ve def \u00e7alma 7-<\/strong> Zurna \u00e7alma 8-<\/strong> Davul ve ritim \u00e7alma.<\/li><\/ul>

            \u00a0<\/p>

            Ayr\u0131ca kayda al\u0131nm\u0131\u015f 1200 \u00e2\u015f\u0131k havas\u0131 ve bug\u00fcne kadar bu sanata dair yap\u0131lm\u0131\u015f olan \u00e7al\u0131\u015fmalar ve de 2024 senesinde tamamlanmas\u0131 d\u00fc\u015f\u00fcn\u00fclen T\u00fcrk D\u00fcnyas\u0131<\/em> \u00c2<\/em>\u015f\u0131k Ansiklopedisi<\/em>\u2019<\/em>ni bu e\u011fitim kurumlar\u0131na herhangi bir \u015fart olmadan<\/strong> vermeye istekliyiz.<\/p>

            \u00a0<\/p>

            T\u00fcrklerin ge\u00e7mi\u015fini, tarihini, k\u00fclt\u00fcr\u00fcn\u00fc, d\u00fc\u015f\u00fcnce yap\u0131s\u0131n\u0131 yans\u0131tan bu gelene\u011fin devam ettirilmesi \u015fartt\u0131r. \u00c2\u015f\u0131k Sanat\u0131 hem sanatsal hem felsefi hem de entelekt\u00fcel a\u00e7\u0131dan kendine has \u00f6zellikleri nedeniyle T\u00fcrklerin ruhunu yans\u0131tt\u0131\u011f\u0131 i\u00e7in; bu gelene\u011fin sadece ge\u00e7mi\u015fte kalmas\u0131, k\u00f6keni binlerce y\u0131l \u00f6ncesine dayanan bu sanata ve icrac\u0131lar\u0131na b\u00fcy\u00fck ihanet olacakt\u0131r. Bu nedenle \u00e2\u015f\u0131klara ve ozanlara, sanatlar\u0131n\u0131 icra edebilmeleri, gelecek ku\u015faklara aktarabilmeleri, yeni nesillere bu gelene\u011fi tan\u0131t\u0131p sevdirebilmeleri i\u00e7in belediyelerin ve bu k\u00fclt\u00fcrle ilgilenen herkesin destek olmas\u0131 gereklidir. Y\u0131llar \u00f6nce \u0130stanbul\u2019da var olan ve daha sonra kapat\u0131lan ozan ve \u00e2\u015f\u0131k evleri gibi, yeniden g\u00fcn\u00fcm\u00fczde de belediyeler taraf\u0131ndan \u00e2\u015f\u0131k ve ozan evleri ve k\u0131raathaneleri a\u00e7\u0131lmal\u0131d\u0131r<\/strong>. Buralar ozan ve \u00e2\u015f\u0131klara \u00fccretsiz tahsis edilerek, bu de\u011ferli icrac\u0131lar\u0131n, bu \u00f6nemli gelene\u011fi yeni nesillere sevdirmesi ve gelecek ku\u015faklara aktarmas\u0131 i\u00e7in \u00e2\u015f\u0131klara ve T\u00fcrk toplumuna destek olmalar\u0131 \u00f6nemlidir.<\/p>

            \u00a0<\/p>

            Ali Polat, ikinci ve \u00fc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcmde s\u00f6z konusu olan bu faaliyetleri, t\u00fcm g\u00fcc\u00fcyle ger\u00e7ekle\u015ftirmi\u015f olup, \u00c2\u015f\u0131k Sanat\u0131n\u0131n uluslararas\u0131 alanda sunulmas\u0131n\u0131 temenni etmektedir. Onun arzusu, bu orijinal \u00e2\u015f\u0131k enstr\u00fcman\u0131n farkl\u0131 uluslar\u0131n orkestralar\u0131 aras\u0131nda yer almas\u0131d\u0131r.\u00a0<\/p>

            Ali Polat’\u0131n \u00e7abalar\u0131;<\/em><\/strong> bu e\u015fsiz sanat\u0131n kay\u0131t alt\u0131na al\u0131nmas\u0131, korunmas\u0131 ve e\u015fsiz sanat\u00e7\u0131lar olan <\/strong>\u00e2<\/strong>\u015f\u0131klar\u0131n hak ettikleri de\u011feri ve sayg\u0131y\u0131 g\u00f6rebilmeleri ve de maddi ya\u015famlar\u0131n\u0131n daha iyi hale gelmeleri i\u00e7indir.<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

            M\u0130RASIMIZ A\u015eIK-BAH\u015eI SANATI HAKKINDA \u00d6ZET B\u0130LG\u0130 1.B\u00d6L\u00dcM: A\u015eIK SANATI TAR\u0130H\u00c7ES\u0130 \u00c2\u015f\u0131kl\u0131k Sanat\u0131n\u0131n ge\u00e7mi\u015fi, elimize ula\u015fan resmi bilgilere g\u00f6re, en az 5 bin sene \u00f6ncesine dayanmaktad\u0131r. T\u00fcrk \u00e2\u015f\u0131kl\u0131k gelene\u011fini icra edenler, halk edebiyat\u0131nda ve m\u00fczik sanat\u0131nda; “\u00c2\u015f\u0131k”, “Ozan”, “Varsak”, “Yan\u015fak”, “Bah\u015fi”, “Halife”, “Jirao“, “Ko\u015fuk\u00e7u” gibi isimler alm\u0131\u015flar ve \u00e7e\u015fitli \u00fclkelerde bu isimlerle an\u0131lmaktad\u0131rlar. 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